Stuart Bannocks (more photos) and his team, who no longer call themselves the fabrats but don’t yet have another name, gave us all a chance to be participate in some hands-on protosynthesis with carboard boxes, stickers, pens and our imaginations. (By the way, if you don’t know Stu, you should utterly take a look at the Badge a day project.)
I was asked me to wrap up the day, so I stood up at the end and rambled a bit about what I’d enjoyed. Below, I present a tidied, expanded and explicated version of the notes I used. Here’s what I wanted to say:
1.) Matt Jones [@moleitau] kicked off the day by saying he had “a new admiration for primary school teachers” and today has reminded me a lot of first school. Everything is creative. Making things is fun and there’s no such thing as a mistake. What a lovely way to spend a day.
2.) Matt Brown [@irvinebrown] started things off by introducing us to
the work of Josef Albers, origamic architecture by Gerry Stormer, curved folds by David Huffman and clumsy but magical self folding origami. (When we wondered out loud how it works, Ben Terrett patiently and accurately explained “it’s got stuff on it”.) Matt’s clearly having a lot of fun at BERG, and I particularly enjoyed the glimpse behind the scenes of making Dimenions, especially the paper-based ‘post digital augmented reality’ of holding a small drawing on a piece of paper in front of your face to get a sense of the pyramids on the horizon or a Spitfire in flight (“It’s smaller than you’d think”). Update: Matt has written up details of his talk, so you can see what post digital augmented reality aka ‘Sticking A Bit Of Paper In Front Of Your Face’ looks like.
3.) At this point I noticed the tea urn in the Conway Hall sounds like applause. Comforting. It’s been there all day, quietly applauding us all.
4.) Jane Audas [@shelfappeal] told us that “nobody wants what I want on ebay”, which surprised everyone who loves what she loves. She introduced us to various paper artists including Su Blackwell. I was especially excited about her examples of different sorts of packaging, including this beautiful 1950s egg box from Sainsbury’s. It gets me thinking about packaging. Remember when the bag-in-the-box which cornflakes came was made of paper rather than plastic, and milk came in glass bottles? We’ll be seeing a lot less plastic and a lot more card and paper packaging in the near future. (In fact, of course, we already are.)
5.) Camille Bozzini [@therealcamille] showed up some interesting and effective examples of paper advertising, including a rather nice ‘Ombro Cinema’ animation technique which is surprising and delighting, something that can’t always be said of adverts in newspapers.
6.) Laura Dickinson [@pbz1912]. I mean honestly, what must her brain be like? She maps mathematical models, constrained by the affordances and dimensions of paper, into 3d space and then back to nets which she cuts our and assembles into amazing shapes. There’s something delightfully pure and neat and accurate about it.
7.) Alexandra Deschamps-Sonsino [@iotwatch] told us why she loves postcards, and made us love them a bit more too. I got a shiver from the postcards from the future exhibition at the Museum of London.
8.) Have you heard of Riepl’s law? Wolfgang Riepl, writing about ancient and modern modes of news communications in 1913, hypothesizes that new media never replace the old. Instead, we end up using the older media differently. Television didn’t replace radio, it sits alongside it quite comfortably.
Look at what happened to painting when photography came along. Not dead, just different.
At the end of his talk, Matt Brown summed it up nicely when he said “the pressure is off books for just imparting information”.
Update: bonus thing 9.) just as we were tidying up and getting ready to go to the pub, Basil showed me this amazing paper procedural generator he built. Brilliant.
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