Roo Reynolds - What’s Next?

BAFTA Film Awards 2010

Posted by Roo - 23/02/10 at 10:02:06 pm

I was fortunate enough to be invited to help out the BAFTA online team during the Film Awards on Sunday. I spent the afternoon and evening tweeting as @baftaonline and helping their team keep their Facebook page updated.

Initially, I was mainly sharing photos from the red carpet, which meant wandering around with an ‘access all areas’ pass and trying grab pictures of the buildup while staying (unsuccessfully) out of the way of various live news cameras. Here are a handful of the photos I uploaded to Twitpic during the afternoon.

I was only slightly hampered by not having much of an idea of who everyone was, and during the busiest time on the red carpet it was a struggle to get a photo and tweet everything. Fortunately, the Bafta/BBC TV crew I was embedded with were very helpful in confirming names of people I was unsure of, etc. Conscious of a fast-depleting iPhone battery, I was alternating between an iPhone and my Canon camera, grabbing snaps and video of whatever looked interesting.

Once the ceremony began, I went upstairs to the media room where I sat with the BAFTA online team watching the ceremony and backstage interviews live. I was updating their Twitter and Facebook presences with the award winners as they were announced and the response to these live updates was overwhelmingly positive. Rob (BAFTA’s online editor) had proposed a very clean, cut down style for the announcements which worked really well for giving it an official, definitive tone. Keeping it short meant it was more likely to be retweeted too.

During the ceremony, I had a list of who was announcing what, and had to fill in the blanks with the winner as they were announced, tweeting and updating Facebook as quickly as possible. This was pretty stressful, though obviously also an awful lot of fun. I soon found a rhythm and was pleased to be using a laptop where I could quickly copy and paste blocks of text between various windows. The iPhone is nice, but it would suck for this sort of work.

There was some frustration, among people watching on TV, that the twitter stream was acting as a ’spoiler’ for the event (though I should point out this was massively outweighed by vast numbers of people expressing supportive, grateful thanks for the instant updates). I think the call (which was, of course, BAFTA’s to make) to announce live, rather than in sync with the TV coverage, was the right move. People were looking to @baftaonline for the definitive results when rumours were circulating on Twitter, and it wouldn’t have made sense to wait. We should probably have been clearer as the ceremony began that the tweets were going to be out of sync, to reduce the risk of people being surprised by spoilers.

Once the ceremony was over, and I’d reluctantly handed back the iPhone, I found myself on the stage itself. This was, frankly, even more surreal than the rest of the day. Watch this video below to get a sense of what it was like.

Later in the evening, my wife and I attended the Film Awards party, which was great fun.

On returning home, I discovered I’d been seen by the BBC News cameras 3 times. As Ian H pointed out, it’s a bit like playing ‘Where’s Wally’.

This makes five times, to my knowledge, I’ve been spotted on TV. (The first and second both being on the set of Watchdog in 2008.)

So, all in all a fantastic day and what little stress I did feel was entirely exciting. Thanks to everyone at BAFTA for a brilliant time.

Making a podcast – some notes and observations

Posted by Roo - 13/02/10 at 12:02:32 am

For the past 3-and-a-bit months, I’ve been making a podcast with my friend Leila.

It’s called Shift Run Stop and thanks to iTunes featuring it on their Podcasts page, it’s recently started getting rather a lot more attention and listeners than we’d ever have hoped.

A few people have asked me how the recording and editing works, so I thought I’d share what little I know about this stuff and how I do it. We co-host and co-produce, and while Leila is the video editor and publicist, I’m the sound editor and chief tech monkey. I think we make a good team, and it’s certainly a lot of fun.

Recording / Capturing / Studio

We both have Zoom H2 mp3 recorders (I copied Leila) and we use one or both of them to record the audio (generally as a 256kpps MP3, which we copy across to my laptop after we finish recording). Meanwhile, Leila uses her Flip camera or iPhone to capture video tasters, which she edits later in iMovie. She’s good.

Here you can see the Zoom H2, Leila’s Flip and The Internet’s Dave Green all in action together.

The Zoom H2 is very good for the price, and I’d recommend it to anyone looking for a decent sound recorder on a budget. For a slightly higher end option, I definitely like the look of the Edirol R-09HR.

Mixing / Cutting / Editing

I use Reaper to edit and mix the recordings. Reaper is amazing, has a hassle-free 30 day evaluation period and after that costs a very reasonable $60 for a personal/education/small-business discounted license or $225 for the regular license.

Some of the filters I use: compressor (to even out the loud peaks), reverb (though not very much or very often) and low-pass (as a hiss filter). Here’s what an episode looks like while I’m working on it.

Most of the podcasts you’ll find on iTunes are really quiet. I’m learning to trust what Reaper tells me about the volume level, and keeping it as high as possible so it doesn’t quite clip.

One recent complaint was that the stereo separation is sometimes too great; you hear one person in one ear and one in the other. It’s (obviously) because we sometimes record at opposite sides of the stereo microphone, i.e. at the extremes of it’s recording field. More overlap would be better. I’m going to experiment with the chanmix2 filter in Reaper to narrow the separation a bit. Longer term, to do everything properly, I’m actually quite tempted by the Alesis MultiMix 4 USB Four-Channel USB Mixer for creating a bit more of a studio setup with multiple microphones.

People have suggested that we could tighten it up a bit by removing the ‘um’s, ‘ah’s and other pauses. That’s probably true, and I do increasingly take out a bunch of the worst offenses. On the other hand, my feeling is that I wouldn’t want to go too far; leaving a bit of who we are is a good thing, and totally stripping the conversation of its natural rhythms would be bad. Sometimes I think the odd ‘umm’ can be a useful break; a sort of pressure valve to stop your brain exploding from over concentrated conversation. There are extremes here, with totally unedited two-hour long raw rambling conversations at one end (with the bad bits left in too), and an ultra tight US commercial radio programme at the other (with every hestitation and every moment of silence removed to make way for more ads).

If you’ve ever listend to Radiolab, and you should, then you’ve heard a well produced podcast (perhaps sometimes slightly over-produced for my taste), but one where the imperfections lend it an enormous charm.

In editing, I’m generally just trimming out the more glaring diversions, conversational cul-de-sacs and dull bits, cutting some of the bigger pauses and generally tidying it up a bit. In a 45 minute recording session it’s usually not hard to spot the 20 minutes of really really good stuff. We generally don’t re-order anything, or (of course) make it sound like someone said something they didn’t. I do happily switch between conversations though, and even drop listeners into things with very little introduction.

Back in November, Leila described Shift Run Stop as “an ambient soundscape sort of production, an undulation of chatter and noise, ideas, games and food…”, which I quite like. In the earliest episodes it was probably a bit too confusing, and we’re getting better at signposting what’s going on. That said, one thing I’m still really proud of is the bit in episode 4 where we drop into a couple of conversations without any sort of introduction. One right at the start (which ends up being a lead into hearing a Commodore 64 programme at in the podcast [02:30], which nobody yet seems to have loaded and run) and again at [10:03] where Dave, Tom and Leila are talking about a film and it’ll probably take you until about 11:15 to work out which one. Introducing that with ‘And now, we share our theories about a film…’ just wouldn’t have worked. You might argue that it’s confusing and stupid and annoying and wrong, and that’s just fine. Someone recently described it as ‘overhearing someone else’s conversation’ and gradually working out for yourself what’s going on. I prefer to think of it like that. It works if the conversation is interesting enough.

Publishing / Syndicating / Hosting

I use Libsyn to host the MP3s and Video files in the podcast, an instance of a Wordpress to serve the shiftrunstop.co.uk blog and finally Feedburner to take an Atom feed from the blog and turn it into a podcast, while also tracking subscribers, making it work nicely in iTunes, etc.

Our setup works beautifully and was relatively painless, not to mention fairly cheap, to set up. Robert Brook was kind enough to give me some advice about Libsyn (by recording the answer to my questions in his own podcast, so you can hear it too if you want to). The only real cost is Libsyn, where I’m currently paying $24 per month for 525MB per month of upload, which is enough for 4 half-hour-ish audio episodes and 4 5-minute-ish video tasters. They have cheaper packages too. Libsyn don’t cap download bandwidth, so although Amazon S3 might have been even cheaper in the early days, Libsyn is a nice predictable cost rather than a variable one. To do it totally for free, we could just use the Internet Archive to host the audio files. Sadly, to be brutally honest, their upload is still so disappointingly flakey that I didn’t want to trust it.

Enormous Caveat: I’m probably doing everything really badly wrong. I’m documenting it here partly to share what I’ve learned by trial and error, but mostly so that people who know more about it can correct me.

New podcast: Shift Run Stop

Posted by Roo - 03/11/09 at 10:11:25 pm

I’ve been working with Leila Johnston on a new thing. It’s a fortnightly podcast called Shift Run Stop and as she explains it’s “an ambient soundscape sort of production, an undulation of chatter and noise, ideas, games and food”. Editing it is a lot of fun, as are the weekly recording sessions.

It lives at shiftrunstop.co.uk and in iTunes for your subscribing pleasure. Hope you enjoy it as much as we do.

Playful ‘09

Posted by Roo - 31/10/09 at 01:10:45 pm

Playful 09 was great.

I really enjoyed Playful 08 so was delighted to be asked back. Last year I demoed my Rock Band MIDI guitar hack. This year, rather than extend my P5 Glove project into another MIDI instrument, I decided to set myself the challenge of talking about games and films. This was perhaps a little foolish, as I know only a little bit about games and barely anything about films. However, the audience were mercifully forgiving of my ill-prepared nonsense and laughed in all the right places.

In case you missed it, here are my slides, complete with dodgy audio recording of the talk.

Thankfully for all concerned, the rest of the day was much better. Here’s some of what happened:

• Leila Johnston talked about Enemy of Chaos (“something for the aging nerd market…”).
• Kareem Ettouney (Media Molecule Art Director) talked about being a servant rather than a director, and the importance of letting people pursue personal projects.
• Daniel Soltis talked about physical computing and games.
• Lucy Wurstlin talked about 4iP.
• Matt Locke interviewed Robin Burkinshaw about his amazing creation Alice and Kev: the story of being homeless in The Sims 3.
• James Bridle not only described but actually showed us a working version of MENACE, Donald Michie’s Matchbox Educable Noughts And Crosses Engine, a physical computer made of 304 matchboxes. (A similar machine for ‘Go’ would be “about the size of the crab nebula”.) His excellent presentation is now online.
• Katy Lindemann showed us how fun and play drive change with some lovely examples (including Vinspired Voicebox, Chore Wars, Didget glucose monitor for DS, Fiat Eco:Drive, Thefuntheory (including the Piano Staircase, Bottle Bank Arcade Machine) and more.
• Tassos Stevens talked about cricket.
• Russell Davies made us agree the foursquare conventions for London (Parks: in, Outdoor markets: in, Small shops: out, Train stations: in, Tube stations: out, Supermarkets: out, Your home: out) and talked about and prototyped ‘barely games’. His presentation is here.
• Molly Range talked about the serious games scene in Scandanavia.
• Duncan Gough wondered what it would be like to play a game of ‘Kes’ (or ‘The Wire’…), and imagined fictive worlds which are somewhere between fantasy and casual games. He also pointed out the ‘the golden age of children’s story-telling’ (Press Gang, Running Scared) was at a time when broadcasters didn’t keep everything. Where’s the archive of those TV programmes? Lost forever?
• Alfie Dennen and Paula Le Dieu talked about Bus-Tops.
• Rex Crowle did live scribblings on an Over Head Projetor and talked about selling his flock of sheep to buy an Amiga.
• Simon Oliver explained that designing games is hard but you can discover the fun through prototyping.
• Tim Wright talked about his Kidmapper project which involved following the route of Robert Louis Stevenson Kidnapped in real time.
• Chris O’Shea finished the day by sharing a portfolio of his work.

A great day with lots to take home and think about. Thanks to Toby Barnes and everyone else at Pixel-Lab for making Playful happen.

More people who have written about it: Suw Charman-Anderson, Leila Johnston, Howard Pull, Adam Davis, Lawrence Chiles, Libby Davy, Daniel Soltis, Priyanka Kanse, Melinda Seckington and more, plus the official record: part 1, part 2 and part 3.

Too Thine Own Self Be True – Keep Wire In Correct Groove, Man

Posted by Roo - 17/09/09 at 09:09:26 pm

Conway Hall has a couple of iconic photographs that everyone seems to take…

Trials HD

Posted by Roo - 16/08/09 at 07:08:44 pm

When Ian recently mentioned Trials HD I was hooked as soon as I tried it. If you have not played it, here’s what you’re missing:

Trials HD is, in short, brilliant. Staggeringly simple (controls: accelerate, brake, lean forward/back. You can’t even steer), easy to pick up (you can pass the early levels very quickly) and very very hard to complete (grrnnnnghhh). The race levels are great while the additional skill games are a lot of fun and act as a reward and incentive for medal hunting in the maps. Best of all is probably the level editor. I’ve already spent nearly as long making my own levels as I have playing the game.

Here are some big swinging balls and a glass bridge I made. Careful now.

    

Unfortunately, any custom maps you create can only be shared with your friends. I’d love to be able to play the best of what’s being created by everyone, but I don’t particularly want to clutter my friends list with strangers. I wish the developers had implemented (and, more importantly, could afford to run) a LittleBigPlanet style global content sharing system. Despite that shortcoming, Trials HD might actually be my favourite game so far this year. And for 12,000 Microsoft points ($15 / £10.20) it’s also great value.

Mustache TV

Posted by Roo - 09/08/09 at 08:08:14 pm

Jesse Thorn kindly sent me a ‘Mustache TV‘ as a thank you for supporting Maximum Fun. (Disclaimer: I donate a small amount of money each moth. As you know, I’m a fan, and a card-carrying member of the Maximum Fun club and "a proud adherent of the principles of The New Sincerity").

Mustache TV’s lovingly detailed instructions include a scoring system (3 points for a clean-shaved man, 5 points for a lady, 6 points for a world leader) and it turns out to work quite well for games too. Lots of fun.

Holiday in Pembrokeshire

Posted by Roo - 27/07/09 at 10:07:33 pm

Back to work tomorrow after a great few days holiday. If you’re even in Pembrokeshire, I recommend St David’s, and Porth Clais. Between Thursday and Saturday the weather way very fine and we enjoyed long walks with the dog along the stunning Pembrokeshire coast.

Early Sunday morning, however, it turned not only very wet but also very very windy. Not a great combination when you’re sleeping under canvas, and we kept waking up slightly intimidated by the way our tent was being thrown around. Ray got out the camera to capture the moment (note the dog laying between our sleeping bags, 38 seconds in).

And about 20 minutes later, despite conducting emergency running repairs to the pegs and guy ropes holding us down, our tent had totally collapsed, with us inside it.

We had a lovely stay though, despite the final night. In fact, clambering out of an inside-out, soaking wet tent is a happy moment one that will stay with me for a very long time.

• Ray’s photos
• My photos

Press the red button now…

Posted by Roo - 17/05/09 at 03:05:28 pm

This month, I’ve mainly been playing Burnout Paradise and rewatching The Wire.

More Microprinting

Posted by Roo - 23/02/09 at 11:02:20 pm

I’ve been experimenting a bit more with the thermal receipt printer I bought recently. Inspired by Tom’s daily digests I’ve been trying some of my own.

You only get 48 characters per line using the default font. The alternative font (font B) is much denser, with 64 characters per line. The second printout is only about an inch longer than the first one, yet has twelve additional lines of content.

The barcode at the bottom is a sort of physical permalink using a Code 39 barcode. I’m thinking that each daily digest could also exist in a (private) blog, and a barcode (complete with text date stamp) could be a handy way in. If you’re using this code, or something like it, you could do this…

setBarcodeTextPosition(barcodePrintBelow);
setBarcodeHeight(45);
setBarcodeWidth(barcodeMedium);
printBarcode("/2009/02/22/", barcodeModeCODE39);

I used EvoBarcode Scanner to test reading it back in.

More ideas for a daily digest:

• today’s calendar entries (like Tom’s)
• recent Twitter @ replies and Direct Messages
• recent emails
• friends birthdays via via Facebook
• Radio 4 schedule
• anything anyone wants to send @roo_printer
• …

Tonight I hooked it up to Twitter. Every minute to checks to see what my contacts are saying and prints whatever is new since it last checked (usually 2 or 3 updates).

30 minutes of my friends’ twitter updates equated to five feet of paper. I don’t think I’ll be running this all the time but it does feel reassuring to have it whirring away in the background.

Another use of the Microprinter: printing books. I took the text of Cory Doctorow’s Down and Out in the Magic Kingdom (mainly because I can). It has over 47,000 thousand words, and if you print it at 64 characters per line on standard 80mm thermal paper it’s about 60 feet long.

Printing time: about 40 minutes (pausing briefly after every paragraph to let the printer catch up). Rolling it back up again took nearly as long.

At Nick’s very cunning suggestion there are perforations at every chapter (as well as every sub-chapter, which the ASCII text denotes using a ‘#’ character on its own). Together this divides the book into 59 perforated segments which are about 30cm long on average. Rather than needing a bookmark I’ll just tear off the sections as I finish them.

It’s a portable, recyclable, tear-and-shareable book.